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Ai Weiwei

For 81 days last spring and summer, Ai Weiwei was China's most famous missing person. 

Detained in Beijing while attempting to catch a flight to Hong Kong on April 3, Ai, an artistic consultant for the iconic Bird's Nest stadium, was held almost entirely incommunicado and interrogated some 50 times while friends and supporters around the world petitioned for his release. 

On Nov. 1, Ai, who says the case against him is politically motivated, was hit with a $2.4 million bill for back taxes and penalties. Two weeks later, he paid a $1.3 million bond with loans from Chinese supporters who contributed online and in person and even tossed cash over the walls of his studio in northeast Beijing.

The son of a revolutionary poet, Ai, 54, has grown more outspoken in recent years, expressing his anger at abuses of power and organizing online campaigns, including a volunteer investigation into the deaths of children in schools that collapsed during the 2008 Sichuan earthquake. His detention came amid a broad crackdown on activists by the Chinese government meant to stamp out a call for Arab Spring–inspired pro-democracy protests as well as continuing unrest in the Tibetan regions, where 12 people have set themselves on fire since March to protest Chinese policies.

Ai, who speaks excellent if not quite flawless English, sat down on Dec. 12 with TIME's Hannah Beech and Austin Ramzy — and a calico cat, one of nearly two dozen cats and dogs at his studio — to discuss his detention, the poetry of Twitter and whether China is immune to the global forces of protest and revolution.

In 1981 you left China with no plans to return, but you came back. Why? 

Before, I had seen my father and other people criticized or struggled against, but I was not directly involved. Then you see your generation being crushed. You see that this power has no intention of telling the truth. On the one hand it is ruthless, but on the other hand it is so weak.

When you are 20-something years old, you realize the only way to protect your dignity is to leave rather than to be damaged by this big machine. You see in your generation people who are destroyed. So I decided I had to leave. After 12 years in New York, I was 36. I heard a lot about how China was different. My father was ill. I wanted to go back to China and pay my last respects.

You returned in 1993. How is today's China different from the one you left? 
I think two things have changed China. To survive, China had to open up to the West. It could not survive otherwise. This was after many millions have died of hunger in a country that was like North Korea is today. Once we became part of global competition, we had to agree to some rules. It's painful, but we had to. Otherwise there was no way to survive. But domestically it's still the same machine. There's no judicial process or transparency.

The other is the Internet. They realized that it was also important to surviving. It's also related to survival. But to use it, they had to open up. They could not completely censor the information and the knowledge available there. These two things completely changed the character of this nation.

In recent years, you have merged the Internet with political activism. How did that happen? 
I got involved with architecture. To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.

Because of my work in architecture, Sina [a Chinese Internet company] asked me to blog. I told them I don't have a computer. I don't know how to type. They said, "Don't worry, it's easy. We can help you set it up." At the beginning, I started to post my early artworks. I only wrote a few articles. Even though writing is the most admirable skill, I had no chance to become a writer because of my educational background. I hadn't really studied it except for Chairman Mao's sentences. So I just started to type. My first blog post was one sentence, something like "To express yourself needs a reason, but expressing yourself is the reason."

Later I became very involved in writing. I really enjoyed that moment of writing. People would pass around my sentences. That was a feeling I never had before. It was like a bullet out of the gun.

Your work online became more political, particularly after you launched your investigation into the shoddily constructed schools that collapsed in the Sichuan earthquake. 
They shut off my blog because every day we were posting investigations. I said it was O.K. if the government didn't want to tell the truth, but citizens should bear the responsibility to act. That is very powerful. We showed the people how we got those [student] names, what were the difficulties [the volunteers] encountered, how many times we had been arrested, how we searched — all the details.

I was very sad the moment they shut it off, because there was nothing we could do. And then some guy said, "I opened a miniblog for you." It was just one sentence — 140 characters. Twitter was like a poem. It was rich, real and spontaneous. It really fit my style. In a year and a half, I tweeted 60,000 tweets, over 100,000 words. I spent a minimum eight hours a day on it, sometimes 24 hours.

Your detention forced you into silence. What was it like? 
First they make sure you know that nothing can protect you, no law can protect you. They gave me the example of Liu Shaoqi [the Chinese head of state who was persecuted during the Cultural Revolution and died in prison in 1969]. The constitution could not protect him, and today not much has changed. Then they said, "We want to dirty your name. We want to smash your popularity. We want to tell people you're a liar and dishonest."

Do you think your release was due to international and domestic pressure? 
I think it only could have come from support for me from the international art community and the political community and also in China.

In November, after you were served with a $2.4 million bill for taxes and penalties, Chinese citizens started giving money to you. After that, there was talk of a possible pornography charge, and in response to that, people started posting their own nude photos online as a sign of support. Have you been surprised by the reaction your case has inspired in China? 

I'm very surprised, and I think the people who are doing this were also surprised. People are so encouraged by this new technology. It provides such possibility. This really changes the landscape of the political situation. In the past, only the powerful could make their voices heard. Today anybody with clear thinking or a special way of understanding will be recognized.

Does what has happened in the Arab Spring have significance here, or is China under a different set of rules? 

I think Chinese leadership is trying to tell the world they have another set of logic or reasoning or values which are different from yours. Of course, I don't think they believe that. It's just an argument that's made when you can't confront the truth and facts. They really want to maintain power. At the same time, they refuse to communicate. They refuse to have good intentions. They refuse to be sincere. How can that last?

One of the criticisms that are made of you by some Chinese is that you promote democratic values that are not universal but Western, and China has its own path of development. 

I never emptily talk of democratic values. I always focus on individual cases. How many students died? What are their names? What are the basic facts? Did the police really beat me that night? Can a human being speak out with dignity?

So, what would you like to see in China? 

We need clear rules to play the game. We need to have respect for the law. If you play a chess game but after two or three moves you can change the rules, how can people play with you? Of course you will win, but after 60 years you will still be a bad player because you never meet anyone who can challenge you. What kind of game is that? Is that interesting? I'm sure the people who put me in jail, they're so tired. This game is not right, but who is going to say, "Hey, let's play fairly"?

Second, they cannot stop people from communicating freely, to get information and to express themselves. When they do that, this nation is not a right place to live. They sacrifice generations of people's opportunities. This is a crime.

Some people argue China doesn't need democracy. 
Democracy, right or wrong, has been proved. The Chinese case has not been proved yet. For me there is no logic there. It doesn't matter if it's successful or not. You cannot sacrifice people. I cannot ever accept the kind of conditions where you can sacrifice someone's rights.

How do you spend your days? Are you still making art? 
I'm an artist who is always looking for what is possible. I'm always looking to extend the boundaries. Art is the product of a person who uses a special form or shape or light to communicate. Life experience certainly teaches you how to become an artist.

I restrict the time I spend on the Internet now because I have to also talk to lawyers, communicate with the people who lent money to me.

In the afternoon I go to a park with my child to get some exercise. I go to the police station twice a week to hear their opinions and criticism. I do have a work I started two or three years ago — it takes a long time to finish. I'm happy they never tried to stop me from doing art.

If you had a chance to go overseas, would you? 
I have to evaluate, Is it better to stay in a jail here or go abroad? If you go, you really have to say goodbye.

You feel you wouldn't be allowed back? 
Not only that. I'm afraid I would lose the sensitivity to this reality. There are so many things you can do in life, and of course, activist isn't my top choice. I think I would lose touch with here, and I certainly feel I owe a lot of people. If I can make a good effort, I would continue to do that.

 

To learn more about the artist visit:  http://www.guardian.co.uk/artanddesign/ai-weiwei 

Sunflower seeds

You should know: the rookie of the year...

Kendrick Lamar 
and the album is:  Section 80


Kendrick Lamar was born in Chicago, Illinois and raised in Compton, California where he quickly fell in love with hip hop music. At the age eight, Lamar witnessed his idols, Tupac and Dr. Dre film the music video for their single "California Love," which became a very significant moment in Lamar's life. 

In 2003 at age sixteen he released his first mixtape, Youngest Head Nigga In Charge under the name K. Dot. The mixtape was able to garner enough attention for Lamar to get a record deal with Top Dawg Entertainment. He then released a twenty-six track mixtape two years later titled Training Day.

 In 2008 Lamar made a cameo appearance on Jay Rock's "All My Life (In the Ghetto)" music video. After receiving a co-sign from Lil Wayne, he released his third mixtape in 2009 titled C4, heavily themed around Tha Carter III LP. Soon after, he decided to drop his stage name K. Dot and go by his real name. This resulted in him releasing a self-titled EP; the Kendrick Lamar EP in late 2009.

In 2010 he toured with Tech N9ne and Jay Rock on The Independent Grind tour. On September 23, 2010 he released O(verly) D(edicated) a highly acclaimed mixtape that included a song titled "Ignorance is Bliss" in which he glorifies gangsta rap and street crime but ends each verse with "ignorance is bliss" giving the message "we know not what we do". It was that song specifically that made legendary hip hop producer Dr. Dre want to work with Lamar. This led to him working with Dre and Snoop Dogg on Dre's Detox album and him considering signing to Aftermath Entertainment.

In January 2011 Lamar said his debut album was 90% finished. On July 2, 2011 Lamar released his third solo project Section.80 to critical acclaim. It included features from GLC, Colin Munroe, Schoolboy Q, Ab-Soul and production from longtime collaborator Sounwave, Wyldfyer, Terrace Martin, J. Cole and more. On the topic of whether Section.80 would be an album or a mixtape Lamar said;

 "I treat every project like it’s an album anyway. It’s not gonna be nothing leftover. I never do nothing like that. These are my leftover songs y’all can have ‘em, nah. I’m gonna put my best out. My best effort. I’m tryna look for an album in 2012".

The first single for Section.80 was 'the J. Cole produced track "HiiiPower", the concept was to further explain the HiiiPower movement. Section.80 went on to sell over 10,000 copies in its first week without any television or radio coverage and received very positive reviews.

Lamar said that he has seen dead relatives in his dreams for years and that one morning in 2010, Tupac Shakur came to him with the message, "Keep doing what you're doing, keep my music alive." This is what he says inspired him to write much of Section.80. Tupac Shakur is also his favorite rapper, and influences not only his music, but his day-to-day life. He dedicates at least 10 minutes to Tupac in each of his concerts.

In the second half of 2011, Kendrick Lamar appeared on Game's The R.E.D. Album, Tech N9ne's All 6's and 7's, 9th Wonder's The Wonder Years and Drake's Take Care. In August 2011, while onstage with Snoop Dogg, Dr. Dre and Game, at the West Los Angeles concert, the three of them crowned him the "New King of the West Coast"

In March 2012, MTV announced that Top Dawg Entertainment, the independent record label Lamar is signed to, have closed a joint venture deal with Interscope Records and Aftermath Entertainment, marking the end of his career as an independent artist.

Under the new deal Kendrick Lamar’s projects, including his upcoming debut studio album Good Kid in a Mad City will be jointly released via Top Dawg /Interscope/Aftermath while releases from the rest of Black Hippy (Ab-Soul, Jay Rock and ScHoolboy Q) will be distributed via Top Dawg and Interscope.